![]() Some of the songs were chosen in the early stages of pre-production and others came later once into the edit. Sandusky, Ohio, 1984: Eric Hunter is a Eurythmics -obsessed, musically driven teenager coming to terms with his sexual identity. "Peter and I spoke very early on (at script level) to discuss his vision for an increase in source music throughout this season, at which point we collaboratively discussed scenes and ways in which we could embed music within the script and consequently throughout the filming. In part due to us stepping into the ‘80s and of course due to the stories depicted in Peter Morgan’s phenomenal writing," Bridge says. "Season 4 was a very exciting prospect musically. "Call Me" by Blondie plays as she answers the phone "Girls on Film" by Duran Duran plays while she skates through Buckingham Palace and Elton John's wistful "Song for Guy" plays when she's dancing alone. "Edge of Seventeen" is just one of many '80s jams in this season of The Crown, especially in the moments featuring Diana. "The idea of featuring Stevie’s isolated vocals over the end titles felt very significant and connected to the place where Diana found herself at the end of the episode." Stevie Nicks - Edge Of Seventeen (Letra e msica para ouvir) - Just like the white winged dove / Sings a song / Sounds like shes singing / Whoo whoo whoo. T-shirts, posters, stickers, home decor, and more, designed and sold by independent artists. This led to us trying it over the end which felt both beautiful and haunting," she says. High quality Edge Of Seventeen-inspired gifts and merchandise. "We were sent the stems for editing purposes and once we received, were listening to the raw beauty of the a cappella. High-school life gets even more unbearable for Nadine when her best friend, Krista, starts dating her older brother. With Hailee Steinfeld, Haley Lu Richardson, Blake Jenner, Kyra Sedgwick. ![]() The song reached 11 in both the US and Canada in the spring of 1982. The Edge of Seventeen: Directed by Kelly Fremon Craig. ![]() The track appears again for the end credits of that episode, but only featuring Nicks's bare-bones vocals. In 1981, six years after joining Fleetwood Mac, Stevie Nicks went solo for the first time with her debut album ‘Bella Donna’. Edge of Seventeen is the third single from Stevie Nicks chart-topping debut solo album Bella Donna.
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